The Secrets of Mud by Mae Wilson – Episode 3 – SEE SAW Comics, Webcomics from the Sequential Artists Workshop

The Secrets of Mud by Mae Wilson – Episode 3

The page returns to purple and blue overtones. This page has a similar layout to the others - divided in half horizontally - but the top panel is fragmented into three. The negative space of the gutters is shaped like a tree trunk and a branch. In the leftmost panel, the figure is crouching down over the little pond and frogs, back to the reader. In the right, the figure, now facing the reader, has backed away slightly from the pond, from which a huge splash of water rises with a â€œPLIIP!â€ The figure is frowning, looking a bit taken aback. In the lower half, we return to a shot of just the water, which is now empty of frogs, who disappeared and left only ripples in their wake. The roots and base trunk of a tree rise out of the water in the background; it is still raining. There are even more splishes in this panel.

Back to two panels. 1. A long shot of the woods, with a stretch of water like a little pond or creek (or just a swampy pool from the rain) cuts a path between the trees. To the left, the figure, somewhat dwarfed by the trees, stands with hands on hips, and calls out, â€œI know youâ€™re there.â€ 2. A zoomed out, time lapse panel of the figure walking through the woods, cast in deep purples and muted browns.

A full page spread, in layered purples and blues and browns, of the pond, framed by trees and rippling from the rain. An unseen frog calls out, â€œMERP.â€ The rain continues splishing.

Published On: April 27, 2024

"Disabled activists fought for an elevator down to light rail but it was shuttered due to misuse. Foot traffic brings the challenges of humanity. For building owners, isolation saves money."

“The Way Above by Adrean Clark My librarian aunt has a cabin in the Blue Ridge Mountains. As a kid, I climbed the loft high above my hearing family. A row of National Geographic’s formed a tunnel behind her bookshelves. My mind traveled the world without worrying about my Deafness." 3 panels who altogether depict a cityscape view of St. Paul, Minnesota.

A human figure is crouched down on the ground, back against a tree trunk. They are backed away from a pond, from which a huge splash of water rises with a “PLIIP!” The figure is frowning, looking a bit taken aback.

An extreme close up of a human eye. The pupil and iris are completely reflecting a scene of frogs in the mud.

A view from below of wintry trees encircling a ball of light, perhaps the moon on a cloudy night. The title is contained in this orb, lettered in a curveless style in all caps. There are lots of crow-like bird silhouettes perched in the branches of the tree, and it is raining. The scene is rendered in layers of purple, blue, and brown watercolors/gouache, lined with a black brush pen.

A close-up of Maia's face with a neutral expression, looking directly at the reader. She has a brown bob and green eyes.

In three different strips of paper and different color markers, the title: “Max, Foster Dog.” In another, with hand-drawn serif lettering: “Excerpt of the graphic novel in progress.” “Pieces of Me” “by Maia Iotzova (same name, in Cyrillic alphabet)”

Emily is crouched down, bearing on her back the weight of a giant ball ornament twice her size. She is grimacing from pain or exertion.

Two people dressed in casual contemporary clothing are walking by in the background; in the foreground is a woman dressed in 18th century-style clothing. They are outside, tree branches hanging overhead.

First-grader Emily, wearing her skirt and hat, stands in the doorway of a museum room. To the left is a grandfather clock; to the right is a large piece of decorative pottery. The floor is a black and white checkered tile.

Jim sits up in his hospital bed. There is a book open in his lap, and a tray of food slightly raised above him. He is smiling.

Early Bird Episode 4 Thumbnail

A close-up of young Emil's face drawn with vampire fangs and a ravenous expression: mouth open, eyes wide, brows bent in a scowl.

A baby with glasses, smoking a pipe, wearing a violet bathrobe, and reading a Playboy magazine with an unimpressed expression. The background is pink.

A facebook post shows a picture of three people - Aman and two other men - standing at the Frew booth at a comics convention. They are all smiling with their arms crossed. Aman stands to the left and wears a blue sweater. The man in the middle is dressed up in full Phantom cosplay: purple cap, black eye mask, purple body suit, black striped underwear, and a belt with a skull in the center. The man on the right has curly red/brown hair and wears a blue and orange short-sleeve button-down. Above the picture is text that is slightly cut off: "Phans from across the country make an annual pilgrimage to the Frew comic publisher booth." Below the picture are the Facebook buttons, "Like Comment Share."

Four line drawings of the Phantom in different styles, over a brown watercolor wash. Each is labeled by the artist who drew him this way and the dates they were active: Wilson McCoy, 1943-1961; Bill Lignante, 1961-1969; Joan Boix, 1994-present; and Paul Ryan, 2001-2016.

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