Matter by Emily Zilber – Episode 3 – SEE SAW Comics, Webcomics from the Sequential Artists Workshop

Matter by Emily Zilber – Episode 3

1. “Freeman Tilden is considered the father of interpretation, a word that describes how museums share ideas, stories, & their collections with visitors. / In his 1957 book ‘Interpreting Our Heritage,’ he shares six principles of interpretation. One states that ‘the chief aim of interpretation is not instruction, but provocation.’” In the center of the panel, sandwiched between two blocks of text, is a portrait of Tilden, a man with light skin wearing a fedora, suit, and bolo tie. He has prominent ears and eye bags. He smiles for the camera. He appears to be outside, tree branches lightly rendered in the background. 2. “I like the goal of sharing the past being to provoke rather than relay facts.” A bed is cordoned off by a museum fence with a placard containing information that we as readers cannot make out. The pillows look decorative and there is a piece of artwork with an ornate frame hanging on the wall behind the bed. 3. Six people, again with different hair styles, clothing, ages, skin tones, and ethnic features, all say, “Inclusive interpretation relies on community involvement. What is possible when history is constructed by people with stakes in the stories told?” 4. Emily continues, “My favorite historic houses now are ones where an artist lived. These spaces claim to illuminate a creative mind, rather than show ‘how people lived.’ Stepping into Edward Gorey’s home on Cape Cod was about as close as I could imagine to being inside his mind. I trusted that his home told truths about who he was & how he saw the world.” The interior of Edward Gorey’s home - apparently his office, fitted with a book shelf, a storage desk topped with art supplies, a working desk topped with papers and supplies, a window behind it, and artworks displayed in a vertical line like a newsstand.

1. “For three years in my 20s, I lived in the unrestored portion of a historic architect & artist’s home. When I tell people, it often strikes them as glamorous. It was mostly to offset a well below living wage for my work at the adjacent art museum.” A large ball ornament is held by two gloved hands. 2. “My office was visible from my bedroom. Nothing separated life & work, which is just what the architect intended.” A window with wrought iron geometric decorations forming the frame sits above a utilitarian-looking bare-bones bed. 3. A closet with a built-in shelf, each section only a few inches tall and holding one garment. Off to the side, a wall or door is decorated with a floral flourish design. The following narration is designed to look built into the closet as well: “Even though my place wasn’t restored to its original 1930s splendor, its structure & material impacted my day-to-day life. My drawers were just deep enough to hold a single garment so that everything would stay orderly, the architect controlling my actions from beyond the grave.” 4. A metal countertop with slats for steam to be released; a window in the back showing leafy branches hanging directly outside. The leaves resemble magnolias in shape, but are not identified. Emily writes, “I prepared meals on countertops made from thin flat sheets of monel, a metal alloy that was very au courant in the 1920s & 1930s.” 5. A person with a shaved head, t-shirt, and jeans stands outside under a full moon, smoking a cigarette and looking off to the distance. They stand with one hand on their hip. Emily continues, “My friend who lived in the house before me sneaked midnight cigarettes in the courtyard. Smoking was a guilty pleasure now that the space was a museum, but a regular occurrence for the original occupants.”

Published On: March 7, 2024

Kim is lying on her side, spooning her dog and smiling softly. “November 20. Worked. Enzo slept over Mom’s. She drove him to a party after.”

Promo image for workshop reading: “Drawing Sound / a poetry comics workshop with mara ramirez / march 22 / 7 pm eastern / free, online / Sequential Artists Workshop.” Decorated with a gray and white digital collage of photocopied x-rays of an ear, overlaid with a photocopied image of a woman holding an ear horn up to her right ear.

A close-up of a flowering orchid tree branch. “November 14. Sunday. The bees are buzzing all over the orchid tree. Beautiful weather.”

A close-up of Maia's face with a neutral expression, looking directly at the reader. She has a brown bob and green eyes.

Workshop promo in black and white: "Accessing Your Inner Anxious Child Through Peanuts Fan Art with Liz Yerby A Free Comics Workshop presented by SAW Friday March 15th 7pm EST / 4pm PST" Over a black background, a white mouse sitting up in bed looking anxious.

Kim is sweeping outside in front of a fenced enclosure, behind which two wolves prowl. There is a palm tree to their left behind the fence. Kim is wearing long sleeves and jeans. “November 8. Volunteered at the wolf sanctuary. Biochar workshop at class.”

Kim’s dog, Molly, is lifting her chin up while getting head scratches from someone off-panel. Kim notes with an arrow, “Molly was doing a weird lip thing.” “November 7. Sunday. Finished second draft in permaculture class. Ali came by. Time change. It was a rare cool day.”

In three different strips of paper and different color markers, the title: “Max, Foster Dog.” In another, with hand-drawn serif lettering: “Excerpt of the graphic novel in progress.” “Pieces of Me” “by Maia Iotzova (same name, in Cyrillic alphabet)”

Lynn is leaning against a wall clutching her shoulder and grimacing in pain. She calls out, “Ow! God!” She labels with an arrow that she is experiencing “frozen shoulder.”

Kim is squatting low to the floor in front of her mushroom monotubs, looking closely at the one directly in front of her. “October 27. Volunteered at the wolf sanctuary. Enzo went to Sammi’s powder puff game.”

Promo graphic: “Friday Night Workshop! SAW, March 8, Time: 7 pm EST, 4 pm PST, with Sanika Phawde, FOOD and COMICS.” Text is written in multiple decorative fonts and colors. A highly saturated, brightly colored bowl of sangria—with orange slices, cherries, and ice cubes and a floating flame—is in the center of the image. A novelty bendy straw is sticking out of the cup, which is decorated with little fish and hearts. Coming out of the flame are film reel-like comic strips of people celebrating with food. Decorative bursts and stars fill the empty space of the page.

A gray and white close-up of Lynn’s face as she is panicking: her eyes are wide and her mouth agape in a frown, eyebrows raised in shock. She calls out, “NURSE!!!"

Enzo is getting his hair cut; both he and the barber are wearing masks for Covid. Enzo is wearing a barber cape, jeans, and sneakers; the barber is wearing an apron over a t-shirt and pants. “October 21. Wrote a paper for civic engagement. Cleaned, had class. Enzo got a haircut.”

Emily is crouched down, bearing on her back the weight of a giant ball ornament twice her size. She is grimacing from pain or exertion.

Three green chairs of different styles are placed over a coral background. Text reads: "SAW Presents: Memory Chairs, A Free Online Drawing Workshop with Audra Stang, Friday, March 1, 7 p.m. EST/4 p.m. PST." 'Memory Chair's is highlighted in large green text; the rest is black.

A person with red shoulder-length hair stands like an action figure inside a toy box. They are smiling widely and holding a large pencil; a black cat stands near their feet. Text reads: "SAW presents: NEW! Draw Yourself as an Action Figure from E. Joy Mehr, Friday Feb 23rd, 7 p.m. EST, Online! Free!" Everything is rendered in bright, highly saturated colors.

White text over a black background reads: "SAW Presents: Drawing to Discover Your World with Glynnis Fawkes, 7 p.m. Feb 16." A stark black and white illustration of a 3 people sitting in the shade of a large tree, with a cityscape in the distance.

A smiling cartoon cockatiel is wearing a red artist's apron, holding a palette, and painting a dog in fancy clothing on a canvas. Over a light blue background, text reads: "Draw your pet as a character, Free online workshop with Sara Varon, Friday, Feb 9, 7 p.m. EST, 4 p.m. PST, Presented by SAW"

A solid black background with white text reading: "SAW Presents: SPACE MUSIC, A just-for-fun comic workshop with Erika Pascual, Friday, Feb 2nd, 7 p.m. EST" Little doodles of stars, aliens, planets, UFOs, and music notes decorate the rest of the image, also in white.

An illustration drawn in colored pencil of a witch with spectral limbs performing several tasks at once. Main text reads: "Let's Make a Witchsona! This Friday, Jan 26th @ 7 p.m."

A large cuddly bear hugs a human who barely reaches the bear's chin. The human smiles lovingly up at the bear. They are both colorless and rendered with detailed, thin black line work. The background is a wash of oranges of different hues. The text reads: "Meet Your Sleep - Free Comics Workshop! Presented by SAW, January 19, 7 p.m. EST, Maureen Burdock"

The background is a navy blue sky dotted with yellow stars. All of the coloring is splotchy, as if done with a dying marker. An anthropomorphic dog person wearing a tawny sweater and light green pants stands near the edge of a cliff. They are cupping their hands near their mouth and shouting out. Their voice shows up in almost a beam of white light, with their words written in large, all caps yellow uneven block letters: "CALLING IN OUR ANCESTORS." The rest of the text of the image (alternating between this yellow text and a thin script-like font) reads: "SAW presents: [Calling in our ancestors] - a FREE comics workshop with Ellen O'Grady, January 5, 7 P.M. E.T., no experience necessary."

Two people dressed in casual contemporary clothing are walking by in the background; in the foreground is a woman dressed in 18th century-style clothing. They are outside, tree branches hanging overhead.

A young Lorraine is wearing a blue leotard with matching blue tights. She is holding an exercise pose where she stands with feet shoulder width apart, arms raised to form an oval around her head, and stretching her torso to the side so she is almost at a right angle. Her mouth is open as she lets out a “Uff da…”

First-grader Emily, wearing her skirt and hat, stands in the doorway of a museum room. To the left is a grandfather clock; to the right is a large piece of decorative pottery. The floor is a black and white checkered tile.

Kim is turned away from the reader, sitting on the floor with legs stretched out and working in front of an empty mushroom monotub. She is drilling a large hole in the side of the tub. This panel is much more minimal than most in the series, with just a white background. “October 15. Set up mushroom monotubs before work. Mixed oyster and wine cap spawn grain into substrate (separately). Worked until 6 p.m.”

In gray and white, a medium shot shows Lynn staring into the distance, clutching a travel coffee mug and looking solemnly nostalgic. She thinks to herself, “I miss those days so hard!”

Tony is standing out his house in a large pot meant for a planted tree. He is shoveling soil from a wheel barrow into the pot. There is a pile of dirt behind him, and an already potted tree off to his side. “October 9. Worked. Planted the Venus mango tree.”

Jim sits up in his hospital bed. There is a book open in his lap, and a tray of food slightly raised above him. He is smiling.

Early Bird Episode 4 Thumbnail

In the gray and white of Lynn's near-present day, Lorraine holds onto James's arm as they walk on a path from a house blanketed in snow. They are dressed in hats, scarves, and winter coats.

A close-up of young Emil's face drawn with vampire fangs and a ravenous expression: mouth open, eyes wide, brows bent in a scowl.

Enzo is standing next to a bed and bending down to reach something on the ground. “October 3, Sunday.”

Young Adam is hunched over, hands on knees, throwing up: "BLEH"

Kim is standing outside, using a fire extinguisher on what looks to be a bush in front of her. She looks calm. “September 26.”

A baby with glasses, smoking a pipe, wearing a violet bathrobe, and reading a Playboy magazine with an unimpressed expression. The background is pink.

Guy is relaxing on the couch watching TV with a pink-haired woman. His hand is resting on the woman’s thigh. They are both sitting in the same position, right leg crossed over left.

A view of a classroom from Kim’s perspective. A man with a goatee wearing a button down shirt stands behind a podium with a desktop computer, speaking to the glass. There is a projector on a stool in front of him, displaying an image of a rocky formation and body of water on the screen on the back wall. Two men sit in the desks in front of Kim, leaning in and listening. “September 20. Our group had its first presentation today. I had dreaded it, but we did well and now it’s over with.”

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