The Shape of Comics to Come Episode 3 – SEE SAW Comics, Webcomics from the Sequential Artists Workshop

The Shape of Comics to Come Episode 3

In block letters, the title sits at the top of the page: "Priority." Derek sits on a stump outside. His knees are tucked close to his chest. He hunches over slightly. He holds his phone to his ear and hides part of his face with his other hand. He looks nervous as he says, "IDK if I can spare a day. I've got some big ideas I wanna—" The person on the phone cuts him off and says, "You ever think that maybe you draw way too much? I'm trying to help you out here. Forty dollars for a few hours. Under the table." Derek responds, "I'm a canary in a coal mine. I think it's my job to screech." Derek now sits in a large arm chair. We see now he is wearing the same number one t-shirt from last episode. He leans back, one arm resting on the back of the chair, one leg crossed over the other. He holds the phone slightly away from his face now and looks at the viewer. He says, "The cry of the oppressed is one symptom of the dying earth." Something crashes from off-panel. The person on the phone replies, "Jesus. You're killing me, dude." Derek says, "I can literally hear your eyes rollin' through the phone." Derek repositions himself in the chair, leaning more dramatically and putting his weight on his arm, which now rests on the seat cushion of the chair. He looks up and says, "Poverty inflicts unjust limitations on personal expression. It's straight institutionalized violence that allows a vocal fortunate minority to gaslight and steal the cultural narrative. I take my comic-makin' very seriously!" On the phone, the person says, "C'mon, LOL. That's a bit hyperbolic." From off-panel Derek's kid lets out a loud fart and calls out, "Sorry, dad!"

Published On: November 27, 2023

1. A woman with long, dark hair worn down sits at a table. Her arms are rested on the table and she is using her phone. Next to her are a compact mirror and a pair of glasses. There is a mushroom poster on the wall behind her. “June 8. Class. Finished painting. Justin came by, then Ali for a hair trim.”

In a thought bubble, young Lynn makes a pancake using a Kenner Easy Bake Oven. She smiles sinisterly while pushing the tray in. Next to the batter bowl is an open box of Lucy's Rat Poison. In another thought bubble, Lynn serves the cooked pancake to Adam.

Adam as a boy throws several rounds of punches in quick succession. They are drawn as disembodied fists circling out of spiral motion lines. He bares his teeth and scowls, shouting, "Punching machine!"

In big block letters, the title: "Milk." Derek skips exuberantly while holding a leaking trash bag over his shoulder, on his way to the dumpster. Both of his feet are off the ground. Flies circle around the trash bag. He wears an apron over a t-shirt, pants, and loafers. His head is back, facing up towards the sky, and he smiles widely.

Enzo stands in the kitchen, working over a bowl in the sink. He is shirtless but wears an apron and joggers. There is a carton of eggs on the counter.

1. Someone with dark hair pulled back in a low ponytail climbs a tree. They are up in the branches, surrounded by rounded leaves. “May 27. Thursday. Forest class - we learned some irrigation, some pruning. Felt a little weird later, sickish.”

Lynn's brother Adam, as a boy, wears a red vest and black bowtie over a white button-down and black pants. He has on his signature thick, square glasses. He is attempting to tap dance. He looks off balance and awkward. He grimaces.

Sunny, Derek's acquaintance smiles while ringing a doorbell, "DING-DONG." The onomatopoeia is drawn in big block letters. Sunny wears a sweater over a turtleneck. His hair flows effortlessly.

Kim pets her dog on the back. The dog smiles widely at the viewer. "May 21. Did bills, homework in the morning. Worked, then picked mom up at the airport."

Lynn's mom Lorraine uses a handheld vintage film camera: "WRRRRRR."

In block letters, the title sits at the top of the page: "Priority." Derek sits on a stump outside. His knees are tucked close to his chest. He hunches over slightly. He holds his phone to his ear and hides part of his face with his other hand. He looks nervous as he talks to someone on a phone call.

From above, we see spread of fruits and vegetables - pomegranates, pea pods, a mango, a pepper, etc.

Adult Vanessa sits across from her therapist, a woman with a brown bob and bangs, glasses, and a blue suit. The therapist asks, "Is that a FEELING or a THOUGHT?" Vanessa crosses her arms and scowls. "Both!" she replies.

Young Vanessa, with short hair and glasses and a pink one piece swim suit, floats in a tube along a marshy spring. She is drifting into the marsh despite trying to steer with her hands flapping in the water. In a panic, she shouts out to her peers who have floated much farther past her, “Guys!! Wait!”

Outside on a winding sidewalk path, a man with floppy hair and a dark parted pencil mustache approaches Derek. The man wears a shirt with a large collar and three large buttons, and pinstriped pants. He snaps he fingers with one hand and holds his other up with a limp wrist. He shouts out, "There he is! [in big block letters:] World's Greatest Dad!" Derek looks over at the man, smiles, and replies, "Haha, Sunny!" He looks relaxed, shoulders back and hands in his jean pockets. He wears a tight-fitting t-shirt with a large number one in the center.

A hand firmly holds a bunch of lemongrass. There are trees and a fence in the background.

The episode's title is drawn in large block letters: "Modern! Cartoonist" Derek sits on the ground with his legs criss-crossed before some sort of stone altar letting off a thin stream of smoke. Derek appears to be meditating. He wears glasses and a jacket with a large decorative collar and other stylish elements. Text, ranging from speech bubbles to onomatopoeia, surround Derek.

Kim looks at her reflection in the mirror. She has pulled the her shirt sleeve off of her shoulder to examine it. She looks tense. "May 3. Monday. Pulled out a bunch of dead Areca balm branches. Came inside and about 20 minutes later noticed a big bug on my shoulder. Put it in a big jar with water, watched SAW workshop video and started sketching ideas. Sent picture of bug to Tony. He texted back, 'Yikes, it's a bot fly!' I looked it up and panicked, was I bitten? Made an appointment with dermatologist for tomorrow."

An older man, with grey hair that's balded on top, wears dark shades and a green collared shirt. He looks straight ahead as he drives a car. There is a girl in the back and a woman in the passenger seat. The woman says, "To the mall, Jeeves!"

A guy in a blue snow suit races the Iditarod with standard poodles.

Lynn as a young girl wears a pink dance dress, with spaghetti straps and decorative bows, and white tights with the black tap shoes from before. Her hair is tied up in a pony tail with a white ribbon. Her hands are on her hips. She thinks to herself, "shuffle, ball change," "whoops," "step, ball change, step, ball change." An arrow points out that she is "mostly copying the other girls."

Enzo sits on the floor of his room shirtless, back turned to the reader. In front of him is a wall of floating shelves holding books and trinkets. Next to him is a clothes hamper. He is holding a book open. "April 27. Worked. Had an early work meeting. After work, chopped a bunch of Mexican sunflower to feed some plants in need. Enzo dug through his comic collection."

Lynn's brother Adam reaches into a crib and touches baby Lynn's eyes with his "grubby mitts." He says, "Open your eyes, baby sister!"

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